Glocca Morra (Last Show!)

R5 Productions & The Guild Present

Glocca Morra (Last Show!)

LVL UP, Greys, Clique, Marge

Sat, May 30, 2015

Doors: 7:00 pm / Show: 7:30 pm

First Unitarian Church

Philadelphia, PA

$10.00 - $12.00

Sold Out

This event is all ages

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Glocca Morra
Glocca Morra
Glocca Morra are an American indie-rock band from Philadelphia, Pennsylvania. The band current line-up consists of vocalist/guitarist Zach Schartz, drummer Arik Dayan, guitarist Nate Dione and bassist JP Casanova. The band originally formed in 2008 as a three-piece, naming themselves after the traditional Irish folk song “How Are Things In Glocca Morra?” The town in question is fictional. The original line-up of Schartz, Dayan and Casanova met in Miami at university, before relocating to Philadelphia in order to be closer to their desired scene.

To date, the band have released one studio album - 2012’s Just Married - along with a seven-inch (Ghoul Intentions), an EP (An Obscure Moon Lighting An Obscure World), a retrospective compilation (A Collection Of Songs That We Don’t Play Anymore) and split seven-inches with The Greek Favourites and Summer Vacation.
LVL UP
LVL UP
“Hidden Driver,” the opening track of LVL UP’s third album and Sub Pop debut Return to Love, never stops moving. What starts with unassuming guitars and vocals adds new lines, depths, and intensity, until its unrestrained, triumphant finish. “God is peeking, softly speaking,” repeats the chorus, working through the relationship between spirituality and creative inspiration, and introducing a band that is always pushing further.

LVL UP -- guitarists Mike Caridi and Dave Benton, bassist Nick Corbo, and drummer Greg Rutkin -- is a true collaboration, a band that takes the stylistically distinct ideas of four members and brings them together into something new. Caridi, Benton, and Corbo write and sing equally, bringing their work to the group to be fully realized, resulting in an album built on different perspectives but a common drive.

“We have very different inspirations across the board,” says Benton, noting his own admiration for the writer and documentarian Astra Taylor, Corbo’s interest in the mystical and the occult, and Caridi’s attention to personal storytelling. The music itself grows from a shared melodic and experimental sensibility, as well as a nod to iconic influences like Neutral Milk Hotel and Mount Eerie. But each songwriter has a different vision every step of the way, and there isn’t always alignment--it shouldn’t make sense, but in the end it does.

LVL UP was formed in 2011 at SUNY Purchase as a recording project between Caridi, Benton, and their friend Ben Smith, with the original intention of releasing a split cassette with Corbo’s then-solo material. They instead released that album, Space Brothers, as one band, and Rutkin joined shortly afterwards for the group’s first show. Smith left the band for personal reasons just before the release of second album Hoodwink’d, a joint release on Caridi and Benton’s label Double Double Whammy and Exploding in Sound. DDW also put out records from other artists in the tight-knit community that launched the band.

“There's not really a town associated with the school, so there's no bar or club that you could go play in easily,” says Corbo. “But there was a student center on campus that was all student run. That was a great place to play, and also take care of a lot of practical issues like a place to put your stuff and a place to practice weekly. It was almost like an incubator situation for us and a lot of other bands -- it gave us a little bit of experience and confidence, so it wasn’t as scary when we decided to go on tour for the first time.”

Also part of that university community was Return to Love’s producer Mike Ditrio, who mixed LVL UP’s previous records and “was basically a fifth member of the band,” says Corbo. “He played a huge role in developing the sound, without butting in too much. He also navigated our personal dynamic really nicely.”

That sound is marked by reverb, harmony and tape distortion, with a keen balance of pop and experimentation. From the fast yet flowing lines of “Blur” to the all-consuming wall of guitar in “The Closing Door,” each song pushes and pulls in compelling, unexpected ways. There’s deliberation as well as spontaneity -- the latter developed with the help of a song-a-day project, which pushed Caridi and Corbo to write and record full songs in a single day. Some of that material, including “Naked in the River with the Creator,” made it onto the album.

“I ultimately made this half-drone, half-really loud guitar song, because it was an idea I had floating around in my head but never got around to doing until I had to write a song in a day,” says Corbo. “The thing that pulled me through was grasping onto words and images, but instead of pulling from an infinite sea of all the images that you could pull from, it's easier to constrict yourself a little bit.”
Greys
Greys
A punk band growing up is always a perilous proposition. A dicey gambit to be sure, but your Talking Heads, your Wires, your Sonic Youths and your Deerhunters were all scrappy young kids making sizeable rackets once upon a time. It was only after they decided to make poignantly observant, unexpectedly epochal rackets that they challenged and transcended the idea of what a punk band could be. This is precisely where we find Greys at the outset of their sophomore album, Outer Heaven.

The ten-song, 39-minute long player delivers on the promises the Toronto quartet made on 2015’s Repulsion EP, placing the band in more spacious environments and letting them build upon their noise rock foundation by incorporating new textures and dynamics to temper their trademark onslaught of discordance, which was already perfected on their debut record, 2014’s If Anything. Where their formative material saw them paying homage to their heroes, the new album sees Greys making a concentrated effort to realize their own sound. Whether that means employing tape drones, drum machines and synthesizers as noise-making tools on “Sorcerer,” or breaking into a three-part harmony adorned with sleigh bells in the middle of the hardcore intensity found on “In For A Penny,” these four young men prove that they are more than up for a challenge.

In a very literal way, singer/guitarist Shehzaad Jiwani has made it clear on this record that he wants his voice to be heard. Each song contains a sweet-and-sour earworm that brings his characteristically self-aware, often satirical lyrics to the forefront, and his serrated shout is almost entirely swapped for a more tuneful approach. Almost. Lyrically, his focus has sharpened, moving from inward to outward. This is best evident on first single “No Star,” wherein Jiwani addresses the aftermath of the shootings at Bataclan in Paris by declaring, “Don’t shoot/I’m not the enemy.”

“It’s difficult to feel like you have a voice in these situations when you’ve grown up in a predominantly white community and don’t identify with either side,” explains Jiwani. “On the one hand, some people are attacking anyone who looks remotely like you, but on the other hand, the people who are trying to defend you are also speaking on your behalf, taking away your voice. It’s like I had nowhere to turn because no one was listening to me, like I wasn’t able to speak for myself.”

Each song filters its subject matter through Jiwani’s wryly incisive perception of those topics, from a news story about a group of teens barbarically murdering their classmate on album opener “Cruelty,” to the advent of technological singularity on closer “My Life As A Cloud.” Elsewhere, on “Blown Out,” the frontman confronts his own mental health by painting it in the context of a relationship with a partner who doesn’t fully understand the unrelenting complexities of depression. The climax of the song sees him wailing, “I want you to see/There’s something wrong with me,” which would be a harrowing moment if it wasn’t the single catchiest song Greys have ever written.

With their intense live show documented admirably on their previous releases – and honed alongside bands like Death From Above 1979, Viet Cong, Speedy Ortiz, Cloud Nothings, Perfect Pussy and their Buzz Records brethren Dilly Dally – the four piece sought to explore their more atmospheric tendencies on Outer Heaven. Produced by longtime collaborator Mike Rocha at the hallowed Hotel 2 Tango studio in Montreal (Arcade Fire, Godspeed You! Black Emperor), the record displays unprecedented depth and range for Greys, calling to mind groups as disparate as Sonic Youth, Swell Maps and The Swirlies without ever losing sight of what defines the band – a distinct mixture of melody and dissonance, order and chaos, volume and substance.
Clique
Clique
Clique is PJ, Brandon, Tom, and Travis. Clique has been making regular music for regular people since Summer 2014.
Marge
Marge
A rock band.
Venue Information:
First Unitarian Church
2125 Chestnut Street
Philadelphia, PA, 19103
http://www.philauu.org/