Swearin' & Mike Krol

Swearin' & Mike Krol

Fri, August 2, 2019

Doors: 7:30 pm / Show: 8:00 pm

PhilaMOCA

Philadelphia, PA

$13.00 - $15.00

This event is all ages

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Swearin'
Swearin'
While it’s the first release from Swearin’ in five years, Fall into the Sun is a record that doesn’t try to obscure the passage of time but instead embraces it. “Getting older, your tastes change, and what you want to do changes,” says drummer Jeff Bolt. Those changes, though subtle, are impactful, making Fall into the Sun what Allison Crutchfield calls “the adult Swearin’ album.” It can be seen in songs like “Big Change,” where she says goodbye to Philly and the scene that she came up in, or in “Dogpile,” where Kyle Gilbride offers the line any aging punk can relate to: “By pure dumb luck I’ve gotten where I’m going.” Where Swearin’ used to pummel through their songs, on Fall into the Sun, they bask in what this newfound openness offers.

Swearin’ is Allison Crutchfield, Kyle Gilbride, Jeff Bolt, and Amanda Bartley.
Mike Krol
Mike Krol
Of all the breakups in Mike Krol’s songs, the most harrowing story is about his breakup with music.

In 2015, coming off of his best record yet and the ensuing world tour, Krol found himself in the midst of a full-blown existential crisis. He’d invested everything to create the rock-and-roll life he’d always wanted, but he wasn’t sure the life wanted him back.

Power Chords , Krol’s new Merge release, picks up where 2015’s Turkey left off. It traces Krol’s journey back to punk rock, harnessing both the guitar technique and the musical redemption referenced in its title. To rediscover the power in those chords, Krol recorded for two-plus years in three separate locations (Nashville, Los Angeles, and Krol’s native Wisconsin). The record opens in a howling maelstrom of feedback: welcome to Krol’s crucible. After a stage-setting spoken-word intro (“I used to never understand the blues, until the night I met you. And every day since, I’ve gotten better at guitar”), we find ourselves back in familiar Krol territory—aggressive and assertive, scratchy and raw, catchy as hell—but something has changed. The sounds have a new density—and so do the stories. Krol’s lyrics have always walked a fine line between self-acceptance and self-destruction, but throughout Power Chords , they reveal a new sense of self-awareness. “Without a little drama I grow bored and sick of all my days,” he sings on “Little Drama,” and it’s just one revelatory moment on a record full of them.

Of course, none of this is to say that Krol has mellowed. You might find a mea culpa or two, but Mike Krol will never be chastened. If anything, he’s out more for revenge than forgiveness, and if he’s grown, it’s because he’s grown bolder. He’s wielding the same influences—Misfits, The Strokes, early Weezer, Ramones—but turning up the gravity and the gain. Indeed, Krol has gone somewhere new; yes, he bludgeoned himself with over-analysis and self-loathing, but along the way he stumbled upon a trove of intricate guitar lines and artfully mutating melodies. It’s there in the chorus of “Blue and Pink,” the bridge in “I Wonder,” the entirety of the deliriously infectious first single, “An Ambulance.”

Music ruined Krol’s life. And then saved it. In chronicling that process, Krol has made his best record—painful, voyeuristic, and angry, but ultimately transcendent and timeless. It is the sound of Krol giving in to a force greater than himself, as though the chords are playing him rather than the other way around.
Venue Information:
PhilaMOCA
531 North 12th St.
Philadelphia, PA, 19123
http://www.philamoca.org/