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What is it about a bonfire?
The flames are charismatic and dance, the sparks billow and flicker off. But what is beneath? In smoldering embers that stay alive until the next morning there is a slow endlessness. The flashing whims of light and dark pass by without stopping, but the glowing coals beneath the action offer a new perspective. Something approaching permanence in the relentlessly impermanent world.
In all these years of making up songs, the aim has always been to just say the thing as directly as possible. Name it, don’t decorate. Nonetheless, what has come out has often appeared as billowing clouds of metaphor and half-formed feelings. Then in the shadow of close real death in 2016 I made a couple of records that managed a little better to speak directly. The terror in opening up so unreservedly to an abstract public was blown away by the higher stakes of actual death.
Nothing stops changing. Love returned. With this love came a new understanding of the weird balances between real life and art projects, between home and exposure. I moved into a new world and happily angled the work inward, keeping more quiet.
But nothing stops changing. It didn’t work out and I had to move again. Finding myself staring into another fire, disoriented by the changes, these songs came out.
I hoped to write songs about the smoldering foundation beneath all of this surface chaos, a love that doesn’t die, songs beyond mere sorrow. If I again mined the circumstances of my life for these words, I tried to do it with liberation in mind for everyone. I tried to make songs that did not rely at all on who I am or who I am singing about. “The song, not the singer” is my guide, even while singing inescapably as and about myself.
Knowing that anyone with internet access might have questions about my specifics, I don’t want to say anything personal that isn’t already in the songs. My fingers are crossed that when I push them out to sea they will be met with calm humane understanding. That’s what they’re about after all.
In a grab for deeper continuity, I called and asked Julie Doiron if she could join me in the recording. She has been my favorite singer since 1993 when I first heard her band Eric’s Trip and subsequently devoted my life to music and art. This 26 year path from teenage obsession to collaborator has made me feel very fortunate. We made another record in 2008 called Lost Wisdom, more flames, more love, more turmoil. Now we get to do some more singing and playing together.
In 2019 life on earth can feel insane, but in the early hours before the sun comes up, I look out and the world is blank. Everyone deserves liberation, and as the sky gets blue and loud with the day I try to remember this blank peace and I hope that it will stay with us into the wild arriving future.
- Phil Elverum
Sept. 5th, 2019
ulie Doiron was born in 1972 in Moncton, New Brunswick, Canada. She studied photography at Mount Allison University, Sackville, New Brunswick, Canada.
At age 10 she began taking piano lessons, studied saxophone in school from age 12 to 16. She began playing guitar when she was 15.
She joined her then boyfriend Rick White in the band Eric's Trip from 1990 to their split up in 1996.
In 1990 she started her own record label Sappy Records to release cassettes by Eric's Trip and from 1993 on also vinyl by the band and other projects, including her solo work as Broken Girl. She was joined by her later husband Jon Claytor in 1994 which whom she ran the label till 2000, when it went into hiatus. It was shortly revived in 2006.
In 1996 she released first solo album Broken Girl - Broken Girl compiling her previous two 7" singles recorded under her alias Broken Girl and new material.
A year later she signed with Sub Pop and started releasing under her maiden name.
Since late 2005 she also performs with Shotgun & Jaybird, who in turn support her during her solo tours.
She has three kids with Jon Claytor and is currently expecting another child with her partner Christopher Leigh McLaughlin.
Hailing from north of Seattle in the Skagit Valley, hewn from NW institution, record label known simply as K (Beck, Modest Mouse, Built To Spill, LAKE) – Karl Blau’s music currently releases under the Bella Union, London shield (Father John Misty, Beachhouse, Marissa Nadler, etc, etc), and now Blau resides in Germantown, Philadelphia as late Fall 2018. His last two BU albums – acclaimed country/soul covers produced by Tucker Martine (Laura Veirs, The Decemberists, My Morning Jacket) known as “Introducing Karl Blau,” and the twin sister to Matthew E. White’s “Big Inner” called “Out Her Space”– have continued the legacy of Blau’s genre-hopping and led Blau to multiple EU/UK and US tours.
First Unitarian Sanctuary
2125 Chestnut Street
Philadelphia, PA, 19103