The Babies (mems of Vivian Girls/Woods)

Event Off Sale: Tickets no longer available

The Babies (mems of Vivian Girls/Woods)

Swearin'

Sat, December 22, 2012

Doors: 7:30 pm / Show: 8:00 pm

Kungfu Necktie

Philadelphia, PA

$10.00

Off Sale

This event is 21 and over

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The Babies (mems of Vivian Girls/Woods)
The Babies (mems of Vivian Girls/Woods)
After their first full length album on Shrimper Records, a demos EP on New Images, and scores of singles on U.S. and international record labels, The Babies second album Our House On The Hillis their Woodsist Records debut and the first with new bassist, Brian Schleyer.
While the band was originally conceived as a side-project outlet for Kevin Morby and Cassie Ramone – along with drummer Justin Sullivan – to trade song ideas and play house parties, 2011 saw the project grow into a full time affair. The band spent much of the year touring the U.S. and abroad, all the while writing new material, both in their home of Brooklyn and during a two-month sojourn in Los Angeles.
In February 2012, the band swapped their usual environs of Brooklyn’s Rear House recording studio and spent two weeks in Los Angeles working with Producer Rob Barbato (Darker My Love, The Fall, Cass McCombs). The increased time and focus allowed them to explore musical directions only hinted at on their first album. Thus, Our House On The Hill features hushed dirges, melancholic traveling odes and squealing rave-ups, all made cohesive by Kevin and Cassie’s captivating songwriting and lyrical themes. Organ, piano, saxophone and even strings play a supporting role in enhancing the aural atmosphere, which finds the band finally realizing a sound that can be called their own. Simple yet thoughtful; familiar yet haunting. Sweet but somber.
“The set opener, “Alligator,” is conversational in tone and acts to disarm the hardened listener with its pop confection and curve ball time change signatures on a check of solid Gang of Four gold. “Yo, I dig your hair, I gotta tell you about these holes in my pants, I would rather not hold yer hand. You get the drift.”
Cassie evokes Anna Karina if she were in The Shangri-La’s instead of Godard films in “See the Country” and then married throughout the entire record are those otherworldly harmonized “oohs” & “aahs” by Kevin & Cassie that’ll make the stubble on your spine take notice if you are still one of them folks in need of oxygen to breathe. The switchblade knives & butterfly stitches that paint the heartache and conflict throughout this long player will sharpen you for your next lovelorn argument, stumbling bar brawl between you & a reflection of your 17 year old self in the face of a tinfoil plated locket or for the working stiffs, that 3am Saturday drive home from the bad side of the tracks back to the sad side.
Put the needle on the flip and throw that break up layer of tears away: we got a ride to catch to that house on the hill.” – Dennis Callaci
Swearin'
Swearin'
Swearin’ operates and shines like a well-oiled, pragmatic machine. Their complimentary personalities, solid work-ethic, and similar backgrounds in DIY punk, have helped them thrive. Formed in 2011 in Brooklyn, Allison Crutchfield (guitar) and Kyle Gilbride (guitar) had been making demos for nearly a year before inviting Keith Spencer (bass) into the equation. The trio eventually added longtime friend and Philadelphia resident Jeff Bolt on drums, releasing their demo EP What a Dump shortly thereafter.

The demo received instant praise from Brooklyn’s indie punk scene and beyond. It combined the sounds of Gilbride and Crutchfield’s prior bands (Big Soda and P.S. Eliot, respectively) while stretching into new territories of fuzzed guitars and compounded song structures.

In 2012, Swearin’ released their debut self-titled LP, on which their dynamic and sound fully starts to emerge and flourish. Here, each member brings their own patterns and rolodex of influences to the table, creating a uniquely inviting and complex album. Crutchfield’s vocals are smooth and her lyrics are sharp and personal. Gilbride produces a wall of layered guitars, saccharine hooks, and his own specific ear in the recording process. (He records and produces all of their music.) Spencer makes his first appearance as a songwriter in the band, delivering some of the most diverse songs to the album (‘Divine Mimosa’ and ‘Kill Em’ with Kindness’). Finally, Jeff Bolt remains powerful and heavy while committing totally to servicing the songs.

The album received much critical acclaim and the band went on to do several successful US tours. They have since relocated to Philadelphia and are currently working on the upcoming sophomore LP.
Venue Information:
Kungfu Necktie
1248 N Front Street
Philadelphia, PA, 19125
http://r5productions.com