Birth Day with Baroness, NOTHING & Pallbearer

Tired Hands Brewing Company Presents

Birth Day with Baroness, NOTHING & Pallbearer

Fri, June 2, 2017

Doors: 7:30 pm / Show: 8:30 pm

Union Transfer

Philadelphia, PA

$25.00 - $30.00

This event is 21 and over

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Baroness
Baroness
BARONESS formed in 2003 in Savannah, GA, comprised of a group of friends who grew up together in Lexington, VA, a small town in the Blue Ridge Mountains.

Shortly after their formation, the band released two EPs and a split EP with Unpersons entitled respectively, First, Second and A Grey Sigh in a Flower Husk. From their origin right through the release of these EPs, BARONESS toured non-stop throughout America and Europe, building up a steady underground fan base.

In late 2006, the band began working on their first proper full-length, and debut for Relapse, Red Album. Recorded by Philip Cope (Kylesa), the album was a big step forward from the band’s earlier material; they began to develop a sense of melody and song structure as a counter-balance to the EP’s brute intensity. The release of Red Album saw the band touring world-wide and year-round for the next two years. The record received high critical praise, eventually garnering the #1 Album-of-the-Year slot in Revolver Magazine.

In between tours, and exactly two years after writing Red Album, BARONESS returned to the studio to record a follow-up record. The band enlisted the help of Grammy-nominated engineer/producer John Congleton (Explosions in the Sky, St. Vincent, Black Mountain, etc.). In 2009, Relapse released Blue Record, another comprehensive step forward for the band’s ever-evolving sound. The record continued the band’s growing sense of melody while directing the focus to an “album-as-an-art-form” concept. Blue Record was named 2009’s Album-of-the-Year by Decibel Magazine, and made an impact on the Best-Of lists in publications as varied as Pitchfork, Village Voice, PopMatters, Revolver, Rock Sound and Metal Hammer.

BARONESS’ mission statement has always been simple: keep an open mind, confront challenges, avoid repetition and take the music to diverse audiences. BARONESS toured constantly and extensively for two years straight with Blue Record, sharing the stage with such bands as METALLICA, MASTODON, DEFTONES, and ISIS. The band also played a variety of festivals, including Coachella (US), Oya (Norway), Bonnaroo (US) and Soundwave (AUS).

BARONESS took the year off in 2011 for the first time in nearly a decade in order to focus on writing a new and more challenging third full-length album. After a year of writing and refining, the band entered Water Music Studios in Hoboken, NJ with co-producer John Congleton to record Yellow & Green. Tracked in both Hoboken and Congleton’s own Elmwood Studio in Dallas, TX, the new full-length will be released on July 17th.

Yellow & Green was released in July via Relapse Records and debuted at #30 on Billboard's Top 200 Album chart. The double-album was dubbed a "thrilling hard-rock epic" by Rolling Stone, the New York Times said the 18-track release included "a grand sprawl of riffs and ruminations" and Artist Direct, after awarding the band "Rock Band of the Year" honors said "they epitomize the spirit of the greats like Led Zeppelin and Black Sabbath, while remaining wholly unique. It's something we need more of. Baroness are everything that a rock band should be -- and more."

As the year came to a close, Baroness dominated year-end lists with Entertainment Weekly and Spin both naming Yellow & Green their #1 metal release of 2012 and iTunes awarding "Take My Bones Away" the distinction of best metal song of the year. Decibel (#2), Guitar World (#15), Loudwire (#4), Magnet (#12), Pitchfork (#3 on Metal Albums, #25 Best Albums of 2012), Revolver (#4), Stereogum (#18) and the Village Voice (#6) also gave the album top honors.

Internationally, the album fared similarly, receiving top honors from Terrorizer (#2), BBC Music (#13), Metal Hammer Germany (#4), Metal Hammer Norway (#4), Metal Hammer UK (#14), Close Up Sweden (#4) and Visions Germany (#4).
Stay tuned for more Baroness news.

NOTHING
NOTHING
People often wonder why Philadelphia's NOTHING are so damn loud. In the case of many artists, the volume stems from a preoccupation with negativity, misanthropy and the human condition. But while NOTHING's attitude lines up with these ideas, their personality isn't one that the band picked from a list of cliches. Instead, it's one that's been molded by the band's own experiences, from family troubles and personal tragedy to a string of bad luck that Murphy's Law would balk at. And that volume, rather than a selling point, is the only way the band has been able to translate the difficulty of real-life events into musical form.

NOTHING frontman Domenic Palermo got his start as the brains behind the late 90s/early 2000s hardcore/punk act Horror Show in the crime-riddled neighborhoods of Frankford & Kensington in North Philadelphia. Unfortunately, Horror Show's existence was cut short In 2002, when Palermo was incarcerated for an aggravated assault charge (to which he pleaded self-defense) and subsequently served a 2-year prison sentence. After getting out of prison and working the next 5 years under watch of Pennsylvania parole board, Palermo took a lengthy hiatus from music, entering a period of personal reflection that led him through a maze of death, negativity and uncertainty. Nicky returned to music in 2010, and founded NOTHING with the release of the demo Poshlost (named for an intense and quintessentially Russian form of spiritual banality). Following the release of Poshlost, Palermo met Brandon Setta, who would bring lush, rich soundscapes and a fresh approach to Palermo's vision for NOTHING and to the band's next two EPs, Suns And Lovers (Big Love, 2011) and Downward Years To Come (A389, 2012).

NOTHING then signed to Relapse for their debut 2014 full-length Guilty Of Everything, which was inspired by the events surrounding Palermo's prison sentence. The album's genuineness and widespread critical acclaim (from publications such as Rolling Stone, NPR, Stereogum, SPIN,Noisey, The FADER, Vogue and many others) seemed to forecast a new, more positive chapter for NOTHING. The band toured Europe and North America extensively in support of Guilty, and performed at festivals including Osheaga, Roadburn, Firefly, Budweiser Made In America, and SXSW, but this period was unfortunately brief. In summer 2015, while on the eighth consecutive month of a non-stop tour that had seen the band performing with the likes of DIIV, Merchandise, Torche, Failure, Hum and more, Palermo was mugged and badly injured in Oakland, CA. The assault ultimately left Palermo with a fractured skull & orbital, nineteen staples, and a drastically re-shaped perspective about his music and life in a larger sense.

That new mindset, which the band hadn't been able to realize until Palermo's injury, forced them to come up for air from the endless touring - "Like when you're in a car going 100 miles per hour and connect with an oak tree and everything behind you comes smashing forward," as Palermo put it. That was the basis for the band's new record Tired Of Tomorrow, which was recorded over the course of a month at Studio 4 with Will Yip (Title Fight, Superheaven, Touche Amore, etc) this past October. Even since the completion of Tired Of Tomorrow, NOTHING have faced new challenges and difficulties that would certainly have sunk a lesser band. As NOTHING were gearing up to release Tired Of Tomorrow via Collect Records, the band discovered that the label had been funded by the now-infamous hedge fund manager Martin Shkreli. After Collect Records and their entire roster eventually dissolved under the weight of the controversy, NOTHING were left adrift. Former partner Relapse Records got on board with releasing the new album, but NOTHING were not finished with their trials - just this past November, Palermo's father unexpectedly passed away in a tragic accident, heaping the band with further personal difficulties on top of their professional ones.

Yet throughout all this, the band has always maintained a unique stoicism alongside its apathy, one that extends beyond mere riffs and reverb. All the band's music, especially Tired of Tomorrow and Guilty Of Everything, have managed to meld past, present and future simultaneously into their approach, both musically and thematically. Borrowing from personal memoir and external works alike, NOTHING have worked the deepest influences of their youth & maturation into a package that's ultimately at its most relevant in the present day. Case in point: Tired Of Tomorrow was written before the Shkreli debacle, but as Palermo sees it, those events only served to strengthen the sentiments and ideas behind Tired Of Tomorrow rather than confuse its message. It's a mess to think about, but as always, the contradictions and paradoxes of the kind NOTHING harnesses ultimately lead to the greatest revelations, and the band's personal and tragic path has nonetheless led NOTHING to produce deeply heartfelt and inspiring music. Whichever way you want to look at it, you can't deny that NOTHING feels good.
Pallbearer
Pallbearer
Pallbearer is a metal band from Central Arkansas, formed in 2008 after spending time playing in various bands around the Little Rock underground metal scene. Paying homage to doom metal of old while still looking wholly forward, the band built upon the underground success of their initial demo offering in 2010 and their debut full length "Sorrow and Extinction" was released in February, 2012 to virtually universal critical acclaim. Now the band slowly marches onward to deliver its progressively-tinged beautiful gloom on a global scale.
Venue Information:
Union Transfer
1026 Spring Garden St.
Philadelphia, PA, 19123